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The dialogues show their fiery zest at being wronged. The stories of each of these five women are retold from their perspectives. The appendix at the end with Devanagiri transliteration and a glossary of terms is definitely useful. However, like the book cover, the illustrations are also colourless.
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These ideas are interspersed with illustrations that make the book engaging even for young readers though it is suitable for ages 10 and above. Though surprising at times, the ideas will seem interesting even to a reader who may begin with some skepticism. The book is highly organized and thoughts pan out well in a leveled manner. Similarly, it also provides a list of the different communities that were living at that time. It familiarises the readers with the geographical regions and terminology that will be further used in the book for example Devlok stands for the landmass that is comprised of mountain ranges and foothills of the Himalayas and the country refers to Jambudvip. Though the map is hand-drawn, it is legible and clear. The book opens with a set of six hypotheses based on the torments that these women had to go through.Īfter this is followed a map of geographical regions that were a part of ancient Indian civilization. Enthralling and startling at the same time, this book provides a reading against the grain of the events of the Ramayana through five women characters namely Ahalya, Kaikeyi, Surpnakha, Mandodari, and Tara.